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Tutorial : Improving the pose of your model.

Tutorial - Improving the pose

Finally, to conclude this tutorial on model direction, here are a few little tricks that can considerably improve a pose. Each of these diptychs begins by comparing a mediocre pose with the same improved pose. Here the difficulty is not in making the correction, since it's simply a question of moving an arm or a leg, changing the position of a hand, etc., but this can only be done if the problem has been identified. And that's the point of this page: to list the little problems that can spoil a pose, or make it less elegant. These little tips will be just as useful to the fashion photographer as to the portrait photographer.

I'd like to take this opportunity to thank the models who agreed to take poses that they knew were inelegant, just so that I could do this tutorial.

 

Improving the pose - Pressing with hand
The hand folded into a fist is never very elegant. What's more, it crushes the cheek.
Improving the pose - Pressing with hand
Slightly unfolded fingers are more elegant. The chin is in contact with the hand but not resting on it.
Improving the pose - The arms
An arm stuck to the body looks thickened.
Improving the pose - The arms
Slightly away from the body, the arm appears thinner.
Improving the pose - The limbs
When a limb (arm, forearm, leg, etc.) is directed towards the camera, it appears deformed or atrophied.
Improving the pose - The limbs
By pointing the elbows in a different direction to the camera, the result is better.
Improving the pose - Do not stuck arms to the body
The arms pressed against the body obscure the model's silhouette, especially as the jacket does not follow the lines of the body.
Improving the pose - Do not stuck arms to the body
Arms detached from the body: better results. Pulling the jacket up also helps to reveal the silhouette.
Improving the pose - Closed fist or open fingers
Closed fist.
Improving the pose - Closed fist or open fingers
Fingers open, but not tense.
Orient the model to the light
The main light is on the left, so the model's bust is facing the light.
Orient the model to the light
The main light is on the left, with the model's torso facing away from the light source
(without exaggerating, don't put the model's back to the light).

More examples of pose to be improved.

We are not the author of these photos. They can be found on the Internet on numerous sites, without the original source ever being indicated. We found them very well done and very useful.

Model direction in studio photography
In fashion photography, it's best not to hide clothes, shoes or accessories. On the left, the model's foot is not visible.
Model direction in studio photography
Feet that are not resting on the ground should be stretched: this slims the leg.
Model direction in studio photography
Avoid bending your elbows too much and keep your hands in line with your washing-arms.
Model direction in studio photography
On the female models, try to obtain an undulation of the bust.
Model direction in studio photography
On the left is the problem of the hidden shoe again. On the right, the bent knee greatly improves the silhouette.
Model direction in studio photography
The foot that is not supporting the weight of the person should not remain on the ground but should be slightly extended.
Model direction in studio photography
Two feet at the same level gives an impression of stiffness. By moving one foot forward, you can achieve a much more supple pose.

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